(1) Jewish Apocalypses

The most important and valuable of the extant Jewish apocrypha are those which have a large apocalyptic element; that is, which profess to contain visions and revelations of the unseen world and the Messianic future. Jewish apocalyptic literature is a theme which deserves and has increasingly received the attention of all interested in the development of the religious thought of Israel, that body of concepts and tendencies in which are fixed the roots of the great doctrinal principles of Christianity itself, just as its Divine Founder took His temporal generation from the stock of orthodox Judaism. The Jewish apocalypses furnish the completing links in the progress of Jewish theology and fill what would otherwise be a gap, though a small one, between the advanced stage marked by the deuterocanonical books and its full maturity in the time of Our Lord; a maturity so relatively perfect that Jesus could suppose as existing in the popular consciousness, without teaching de novo, the doctrines of future retribution, the resurrection of the body, and the existence, nature, and office of angels. Jewish apocalyptic writing is an attempt to supply the place of prophecy, which had been dead for centuries, and it has its roots in the sacred oracles of Israel. Hebrew prophecy on its human side had its springs, its occasions, and immediate objects in the present; the prophets were inspired men who found matter for comfort as well as rebuke and warning in the actual conditions of Israel's theocratic life. But when ages had elapsed, and the glowing Messianic promises of the prophets had not been realized; when the Jewish people had chafed, not through two or three, but many generations, under the bitter yoke of foreign masters or the constantly repeated pressure of heathen states, reflecting and fervent spirits, finding no hope in the actual order of things, looked away from earth and fixed their vision on another and ideal world where God's justice would reign unthwarted, to the everlasting glory of Israel both as a nation and in its faithful individuals, and unto the utter destruction and endless torment of the Gentile oppressors and the unrighteous. Apocalyptic literature was both a message of comfort and an effort to solve the problems of the sufferings of the just and the apparent hopelessness of a fulfilment of the prophecies of Israel's sovereignty on earth. But the inevitable consequence of the apocalyptic distrust of everything present was its assumption of the guise of the remote and classic past; in other words, its pseudonymous character. Naturally basing itself upon the Pentateuch and the Prophets, it clothed itself fictitiously with the authority of a patriarch or prophet who was made to reveal the transcendent future. But in their effort to adjust this future to the history that lay within their ken the apocalyptic writers unfolded also a philosophy of the origin and progress of mundane things. A wider view of world-politics and a comprehensive cosmological speculation are among the distinctive traits of Jewish apocalyptic. The Book of Daniel is the one book of the Old Testament to which the non-inspired apocalypses bear the closest affinity, and it evidently furnished ideas to several of the latter. An apocalyptic element existing in the prophets, in Zacharias (i-vi), in Tobias (Tobias, xiii), can be traced back to the visions of Ezechiel which form the prototype of apocalyptic; all this had its influence upon the new literature. Messianism of course plays an important part in apocalyptic eschatology and the idea of the Messias in certain books received a very high development. But even when it is transcendent and mystic it is intensely, almost fanatically, national, and surrounded by fanciful and often extravagant accessories. It lacks the universal outlook of some of the prophets, especially the Deutero-Isaias, and is far from having a uniform and consistent physiognomy. Sometimes the Messianic realm is placed upon the transfigured earth, centering in a new Jerusalem; in other works it is lifted into the Heavens; in some books the Messias is wanting or is apparently merely human, while the Parables of Henoch with their pre-existent Messias mark the highest point of development of the Messianic concept to be found in the whole range of Hebrew literature.

(a) The Book of Henoch (Ethiopic)
(See the separate article under this title.)

(b) Assumption of Moses

Origen, "De Principiis", III, ii, 1, names the Assumption of Moses -- Analepsis Mouseos -- as the book cited by the Epistle of Jude, 9, where there is an allusion to a dispute between Michael and Satan over the body of Moses. Aside from a few other brief references in patristic literature, nothing more was known of this apocryphon until the Latin manuscript containing a long portion of it was discovered by Ceriani in the Ambrosian Library, at Milan, and published by him in 1861. Its identity with the ancient work is established by a quotation from the latter in the Acts of the Nicene Council. The book purports to be a series of predictions delivered in written form to the safe-keeping of Josue (Joshua) by Moses when the latter, in view of his approaching death, appointed Josue as his successor. The ostensible purpose of these deliverances is to confirm the Mosaic laws and the admonitions in Deuteronomy. The entire history of Israel is outlined. In a vehement and glowing style the book delineates under its prophetic guise the impiety of Israel's Hasmonean rulers and Sadducean priests. The historical allusions come down to the reign of an insolent monarch who is plainly Herod the Great , and a powerful ruler who shall come from the West and subjugate the people -- a reference to the punitive expedition of Quintilius Varus, 4 B.C. But the Messias will intervene and execute Divine wrath upon the enemies of the nation, and a cataclysm of nature, which is depicted with truly apocalyptic sublimity, will forerun the beginning of the new era. Strangely there is no mention of a resurrection or a judgment of individuals. The book then returns to the doings of Moses and Josue. The manuscript breaks off abruptly at chapter xii, and the portion cited by Jude must have belonged to the lost conclusion. This apocalypse has with solid reasons been assigned to the early years after Herod's death, between 4 B.C. and A.D. 10. It is evident that neither of Herod's sons, Philip and Antipas , had yet reigned thirty-four years, since the writer, hazarding a prediction that proved false, says that the sons should enjoy shorter reigns than their father. Thus the latest possible date of composition is fixed at A.D. 30. The author was a Jew, and in all likelihood a Palestinian one. He belonged neither to the Pharisees of the type of Christ's epoch, nor to the Sadducees, since he excoriates both alike. He must have been either a Zealot, that is an ultra-Nationalist and Messianist, or a fervid Essene. He wrote in Hebrew or Aramaic. The Latin text is translated from a Greek version.

(c) Book of the Secrets of Henoch (Slavonic Henoch)

In 1892 attention was called to Slavonic manuscripts which on examination proved to contain another Henoch book differing entirely from the Ethiopic compilation. "The Book of the Secrets of Henoch" contains passages which satisfy allusions of Origen to which there is nothing corresponding in the Ethiopic Henoch. The same may be said about citations in the "Testament of the Twelve Patriarchs". Internal evidence shows that the new Henoch was composed by an Alexandrian Jew about the beginning of our Era, and in Greek. The work is sharply marked off from the older book by the absence of a Messias and the want of reference to a resurrection of the dead . It mingles many bizarre details concerning the celestial realm, the angels, and stars, with advanced ideas on man's destiny, moral excellence, and the punishment of sin. The patriarch is taken up through the seven heavens to the very throne of the Eternal. Some of the details throw interesting light on various obscure allusions in the Bible, such as the superimposed heavens, the presence of evil powers "in heavenly places", Ezechiel's strange creatures full of eyes.

(d) Fourth Book of Esdras

The personage serving as the screen of the real author of this book is Esdras (Ezra), the priest-scribe and leader among the Israelites who returned from Babylonia, to Jerusalem. The fact that two canonical books are associated with his name, together with a genuine literary power, a profoundly religious spirit pervading Fourth Esdras, and some Messianic points of contact with the Gospels combined to win for it an acceptance among Christians unequalled by any other apocryphon. Both Greek and Latin Fathers cite it as prophetical, while some, as Ambrose, were ardent admirers of it. Jerome alone is positively unfavourable. Notwithstanding this widespread reverence for it in early times, it is a remarkable fact that the book never got a foothold in the canon or liturgy of the Church. Nevertheless, all through the Middle Ages it maintained an intermediate position between canonical and merely human compositions, and even after the Council of Trent, together with Third Esdras, was placed in the appendix to the official edition of the Vulgate. Besides the original Greek text, which has not survived, the book has appeared in Latin, Syriac, Armenian, Ethiopic, and Arabic versions. The first and last two chapters of the Latin translation do not exist in the Oriental ones and have been added by a Christian hand. And yet there need be no hesitation in relegating the Fourth Book of Esdras to the ranks of the apocrypha. Not to insist on the allusion to the Book of Daniel in xii, 11, the date given in the first version (iii, 1) is erroneous, and the whole tenor and character of the work places it in the age of apocalyptic literature. The dominant critical dating assigns it to a Jew writing in the reign of Domitian, A.D. 81-96. Certainly it was composed some time before A.D. 218, since it is expressly quoted by Clement of Alexandria. The original text, iii-xiv, is of one piece and the work of a single author. The motive of the book is the problem lying heavily upon Jewish patriots after the destruction of Jerusalem by Titus. The outlook was most dark and the national life seemed utterly extinguished. In consequence, a sad and anxious spirit pervades the work, and the writer, using the guise of Esdras lamenting over the ruin of the first city and temple, insistently seeks to penetrate the reasons of God's apparent abandonment of His people and the non-fulfilment of His promises. The author would learn the future of his nation. His interest is centered in the latter; the universalism of the book is attenuated. The apocalypse is composed of seven visions. The Messianism of Fourth Esdras suffers from the discouragement of the era and is influenced by the changed conditions produced by the advent of Christianity . Its Messias is mortal, and his reign merely one of happiness upon earth. Likewise the eschatology labours with two conflicting elements: the redemption of all Israel and the small number of the elect. All mankind sinned with Adam. The Fourth Book of Esdras is sometimes called by non-Catholics Second Esdras, as they apply the Hebrew form, Ezra, to the canonical books.

(e) Apocalypse of Baruch

For a long time a Latin fragment, chapters lxxviii-lxxxvii, of this pseudograph had been known. In 1866 a complete Syriac text was discovered by Monsignor Ceriani, whose researches in the Ambrosian Library of Milan have so enriched the field of ancient literature. The Syriac is a translation from the Greek; the original was written in Hebrew. There is a close relation between this apocalypse and that of Fourth Esdras, but critics are divided over the question, which has influenced the other. The probabilities favour the hypothesis that the Baruch apocryphon is an imitation of that of Esdras and therefore later. The approximate dates assigned to it range between A.D. 50 and 117. The "Apocalypse of Baruch" is a somewhat artificial production, without the originality and force of Fourth Esdras. It deals in part with the same problems, viz., the sufferings of the theocratic people, and their ultimate triumph over their oppressors. When certain passages are freed from evident Christian interpolations, its Messianism in general is earthly, but in the latter part of the book the Messias's realm tends unmistakably towards a more spiritual conception. As in Fourth Esdras, sin is traced to the disobedience of Adam. Greater importance is attached to the law than in the related composition, and the points of contact with the New Testament are more striking. The author was a Pharisee, but one who, while adopting a distinctly Jewish view, was probably acquainted with the Christian Scriptures and freely laid them under contribution. Some recent students of the "Apocalypse of Baruch" have seen in it a composite work, but the majority of critics hold with better reason to its unity. The book is lengthy. It speaks in the person of Baruch, the secretary of Jeremias. It opens with a palpable error of chronology. Baruch announces the doom of the city and temple of Jerusalem of the Babylonian epoch. However, not the Chaldeans, but angels, will bring about the destruction. Another and pre-existent Holy City is reserved by God , since the world cannot exist without a Jerusalem. The artificiality and tediousness of the apocalypse are redeemed by a singular breadth of view and elevation of doctrine, with the limitation noted.

(f) The Apocalypse of Abraham

The Apocalypse of Abraham has recently been translated from Slavonic into German. It relates the circumstances of Abraham's conversions and the visions thereupon accorded him. His guide in the a celestial realms is Jael, an angel distinct from God , but possessing divine powers in certain regards. The work has affinities with Fourth Esdras and the "Apocalypse of Baruch". The origin of evil is explained by man's free will. The Elect, or Messias, will gather the dispersed tribes, but God alone will punish the enemies of Israel. Particularism and the transcendence of the last cosmic stage are the notes of this apocalypse. Its data, however, are so vague that it is impossible to fix the time of its composition.

(g) The Apocalypse of Daniel

The Apocalypse of Daniel is the work of a Persian Jew of the twelfth century, and is unique in foretelling two Messiases: one, the son of Joseph (Christ), whose career ends in his failure and death; the other the son of David, who will liberate Israel and reign on earth gloriously.

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